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The Top 5 Best Moments of SUPERGIRL Season One

BY Matthew Guerruckey

Published 9 years ago

The Top 5 Best Moments of SUPERGIRL Season One

On Monday night, Supergirl will air the final episode of its first season, a season that has deeply divided fans and critics alike. Many who tuned into the pilot episode, which premiered on October 26th 2015, thought the show was weak, with unconvincing action and stock characters. And they weren’t wrong. If anything, Supergirl’s first season has shown just how quickly, and dramatically, a series can improve from its initial episodes.

Supergirl’s saving grace, even in that clunky pilot episode, was its lead, Melissa Benoist. Benoist lends Kara Zor-El a charm and charisma that buoys the show through occasionally bad dialogue cheesy, plot devices, and lame supervillains.

So, appropriately, this list of the Top 5 best moments from Supergirl Season One showcases the wide range of what Benoist brings to the series. She’s alternatingly charming, funny, and emotionally resonant in ways that are surprising for a superhero series. That emotion has set Supergirl above the other Greg Berlanti superhero series, Arrow and The Flash. Those series have been more consistent than Supergirl, but they’ve never been as moving as Supergirl at its peak.

But, in answer to those who have not yet been won over by Benoist’s charm, it’s interesting to note what I have not listed here. There will be no mention in the list of the love triangle between Kara, Jimmy Olsen, and Winn—the least intriguing storyline of the series. Also, there are precious few appearances from the Rogue’s Gallery here, and that’s because Supergirl has been unable to produce many truly memorable villains for Kara to battle against. Of the recurring villains, only Astra brought real emotional heft to the series, because of her family connection to Kara. But Non, Indigo, Livewire, and Silver Banshee are all underwhelming, and action sequences continue to be the weakest element of the series.

Additionally, I should mention that the much-hyped (and well-rated) cross-over episode that brought the CW’s The Flash to National City didn’t work for me, so that doesn’t make an official appearance on the Top 5 either, but it would be foolish not to mention it at all, since it’s the one thing that comic fans would remember about Supergirl should it fail to be picked up for a second season.

I’ll say this about the episode—both Benoist and Grant Gustin, who plays The Flash, were having an infectious amount of fun. If only the episode hadn’t become bogged down in unconvincing stunt work and bad speed-related puns, it might very well have topped the list.

But, for the strengths that the episode did have, I’ll include an honorable mention—call it moment 5.1—the moment where Jimmy and Winn meet Barry for the first time, and he zips out of the room and and returns in an instant, depositing fresh ice cream cones in Kara and Jimmy’s hands, as Kara nerdishly exclaims, “Yesss!” It’s a prime example of Supergirl at its best, having fun with its outlandish concept, and showcasing Kara at her most adorkable.

 

https://www.youtube.com/watch?v=7dc46DPEymA

Episode 13, “For the Girl Who Has Everything”: J’onn J’onzz Poses as Kara at Catco

“I’m an elite agent of an intergalactic paramilitary force; I think I can handle Cat Grant.”

We return to Catco for next moment, where J’onn J’onzz must cover for Kara at Catco, since Kara is in a coma, which is what happens when an alien space squid jumps on you and takes over your brain (apparently). J’onn uses his shape-shifting abilities to pose as Kara, but he can’t quite match Kara’s walk or her patience for Cat Grant’s unceasing demands.

This moment works because it’s genuinely funny, and it’s genuinely funny because Melissa Benoist absolutely nails her impersonation of David Harewood as J’onn. Her strut and the cadence are perfect.
But beyond that, it’s a fantastically meta moment for the series, as what we are watching here is J’onn, who poses as Hank Henshaw, posing as Kara Danvers, who poses as “Kira”, Cat’s mild-mannered assistant. That’s layers upon layers of goofy genre trapping, and this moment is the series acknowledging just how silly it all is, while still remaining true to the characters. That light tone is what keeps the series so entertaining.

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